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Tuesday, 25 November 2014

Alexei Alexeivich Harlamoff tries to focus Russian Women's lives via paintings

04:49 Alexei Alexeivich Harlamoff tries to focus No comments

Alexei Alexeievich Harlamoff who is also known as Alexej Charlamoff (1840–1925)[1] was a Russian painter.Harlamoff paintings are signed "Harlamoff", which may be a translation he learned while studying in Paris. This does not translate into the Russian language from English. One transliteration into English would be "Aleksei Alekseevich Kharlamov".

Alexei Alexeivich Harlamoff tries to focus Russian Women's lives via paintings

Alexei Harlamoff was born into a family of serfs on 18 October in the village of Dyachevka near Saratov on the river Volga. In 1850 Harlamoff’s parents win their freedom. Harlamoff becomes a guest student in 1854 at the Imperial Academy of Arts in St. Petersburg. Three years later he was awarded a second class silver medal for a drawing. In 1862 Harlamoff was awarded a second class silver medal for a sketch, and he is enrolled with the history painter Alexei T. Markov.

A Russian Beauty

The Pink Bonnet

Sisters

Spring Flowers

Little Girl

Mignon

Little Girl With Head-Dress

Faraway Thoughts

Flower Girl

The Flower Seller

The Red Bonnet

Young Girl In A Green Tunic

Young Girl Before A Blue Background

Girl

Head Of A Girl

Friends

Mother And Daughter

Unsatisfied girl

The Flower Girls

The Little Seamstress

Little Seamstress

All time best collection of John Everett Millais painting works

Sir John Everett Millais, ( 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood.

All time best collection of John Everett Millais painting works

Cinderella

A child prodigy, at the age of eleven Millais became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his parents' house in London. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1850) generating considerable controversy. By the late 1850s Millais was moving away from the Pre-Raphaelite style. His later works were enormously successful, making Millais one of the wealthiest artists of his day. However, they have typically been viewed by 20th-century critics as failures. This view has changed in recent decades, as his later works have come to be seen in the context of wider changes in the art world.

Millais' personal life has also played a significant role in his reputation. His wife Effie was formerly married to the critic John Ruskin, who had supported Millais' early work. The annulment of the marriage and her marriage of Millais have sometimes been linked to his change of style.